Johnny may have been the General, the guy who made the trains run on time, but in a pinch he always deferred to Tommy. That’s because Tommy was smart as hell and could visualize this thing called the Ramones before it even existed. Necessity planted him behind the drums (no one else really grok’d this sound), and how lucky for us. Tommy worked like a dog behind the scenes but that percussive attack was so even and strong that some fans insist the Ramones stopped being the Ramones once he quit.
And only in a band like the Ramones could other members actually harass Tommy for being relatively normal. Witness: the interview snippet in End Of The Century where Dee Dee admits he gave Tommy so much shit back in the day because he was jealous the guy knew how to cook. Regardless of interpersonal dynamics, to fans Tom was Teflon Ramone, the Ramone you just couldn’t dislike for any reason. He drummed on the three best albums (Ramones, Leave Home, Rocket To Russia), produced the best two he didn’t play on (Road To Ruin, Too Tough To Die), wrote the lion’s share of their undying anthem “Blitzkrieg Bop,” and remained pleasantly normal as the years rolled on.
Once the Ramones were done, Tommy seemed like the peacekeeper. He wasn’t arguing with Joey on “Howard Stern.” He wasn’t writing books full of dubious claims against his Bruddahs. Tommy just wanted to preserve the legacy and love his fellow Ramone—or at least dispel the myth that they all openly prayed for each other’s death. “Believe it or not, we really loved each other,” he told the Rock n’ Roll Hall of Fame during the Ramones’ induction. “Even when we weren’t acting civil…we were truly brothers.”
Tommy spoke those words with conviction, clarity, and palpable emotion. Unfortunately, that portion of the ceremony was quickly eclipsed by Johnny announcing “God bless President Bush” as he cradled his statue and Dee Dee thanking himself for being so wonderful (a cute moment, admittedly). In that sense, the induction was typical Ramones: a fat chunk of heart smothered in patriotism and self-reference.
Despite what you may have heard or read (even by my own hand), the Ramones are my favorite musicians in the history of recorded sound. Nothing else fills me with the same joy and excitement, and I mourn the loss of the last surviving original architect.
Thanks for everything, Tommy.
Some generations have the JFK assassination. Others, the “it was all a dream!” episode of “Dallas.” For me, I’ll never forget where I was or what I was doing when Santino first broke out his devastating impression of Tim Gunn on “Project Runway.”
I don’t know why they didn’t spin Santino off into “The Fake-Ass Tim Gunn Hour.” That would have been quality programming right there.
“Norm Macdonald Live” can be pretty hit or miss; this episode with David Koechner is total hit, possibly the best they’ve done. Discussion of / jokes about the Replacements, “SNL” lore you haven’t heard a squillion times, and Norm’s frighteningly accurate Nixon impression. As always there are some NSFW moments, but the toilet humor seems to be developing a deft hand. Is Norm starting to care, slightly?
Whatever the case, I give it five stars, Jim Bob says check it out.
The warring parties of Only and Danzig in 1983. Photo by Bill Daniel.
You bet your life there’s gonna be a fight: Misfits bassist Jerry Only and his lawyers have moved to dismiss the lawsuit Misfits founder Glenn Danzig brought against Only in May for trademark infringement and breach of contract, claiming Danzig has no evidence to back his myriad allegations and also that the singer waited too long to make this legal move.
“By his own insistence, Danzig has had no association with the Misfits since at the latest 1994,” Only’s filing state, going on to make the accusation that the singer is attempting to “unfairly profit” from “belatedly recogniz[ing] the [Misfits'] value” (Danzig is seeking $75,000 in damages from profits lost due to Only’s activities). The term “naked money grab” is also used at one point, which conjures up quite the image if you’re not expecting it in relation to Glenn Danzig.
Danzig’s original suit alleges that in the early 2000s Jerry Only fraudulently put his name on various Misfits logos/trademarks that, per a previous legal settlement, were supposed to be co-owned by band members. Only now claims that original settlement did in fact grant him full use of those logos and trademarks, and that even if they hadn’t, Danzig waited too long to do anything about. The statute of limitations in a situation like this is six years; Danzig had patent objections pending against Only for “nearly ten years” with no conclusion, and his lawsuit comes “approximately fourteen [years]” after the disputed breaches of contract.
Danzig concedes that by 2005 he even had actual knowledge of the underlying facts to exercise his purported rights…yet chose to wait nine more years before bringing his claim.”
This could play into Only’s other serious counter: that Danzig can offer no concrete evidence Jerry’s merchandising activities have cost him business. Indeed, there is no specific example cited in Danzig’s claim of a licensing deal gone south thanks to Jerry Only’s interference.
Touching on the aforementioned legal settlement, a.k.a. the 1994 Misfits Agreement: it states that “the parties shall be co-owners of the name and trademarks of the Misfits and all logo(s) and artwork…previously associated therewithin.” However, Jerry now argues that in “renouncing” the band at that time Danzig also renounced his claims to these logos and trademarks. Although there is no specific language in the ’94 Agreement that covers the contingent of a Misfit abandoning his rights, the “Merch” section ends by saying “the plaintiffs and Danzig will each retain 100% of what each earns from the exploitation of merchandising rights and neither [party] has any obligation to account to the other for revenue derived…”
That sounds like it might be tough to beat. Do note the entire merch outline in the ’94 Agreement is but a paragraph long. It would seem Danzig (at that time the defendant) had little idea as to the exact windfalls of cash the Misfits logos would yield in the following decade—thanks, mostly, to his letting Jerry get out there and reform the band without him.
Not everything with Jerry is rock solid here, though. The bassist’s legals throw out a few sentences that are sure to rub longtime fans as dubious at best. To wit: the part about the Crimson Ghost (a.k.a. “the Fiend Skull”) being “uniquely developed by and identified with” Jerry’s ’90s version of the band, a logo he’s claiming “the 1977-1983 incarnation of the Misfits never used as a trademark.”
If he’s referring to the weird 3-D Crimson Ghost that popped up around 1997, sure, that’s undoubtedly a “NewFits” logo, but there is no staggering difference between that emblem and the “Fiend Skull” that appeared on the front of the 1979 “Horror Business” single and the back of the 1980 Beware EP and on the back of 1981′s Walk Among Us album and all over the Misfits’ amplifiers and wrist bands and guitar straps circa ’82.
[Never mind the fact that every "Fiend Skull" in Misfits history is a shallow derivative of something "uniquely developed" by Republic Pictures for a 1940s film serial.]
Even stranger: Jerry’s motion literally says that what is even worse than Danzig making all these claims is the fact the singer filed his papers in California. “[Danzig] seeks to drag [me] 3,000 miles across the country to defend against his deficient claims.” Methinks the $75k Danzig seeks in damages is more crippling than a plane ticket, but who knows, maybe Jerry’s got some paranoia about earthquakes.
Two other bits of interest:
- Jerry Only boasts that he and his company Cyclopian Music “have developed the Misfits into an iconic lifestyle brand”; that translates to “we got the Misfits logo on shoelaces”
- “it is legally irrelevant with what person or entity, if any, consumers associate a mark and, more precisely, this cannot constitute the likelihood of consumer confusion”; Jerry’s missing the point here in the sense that Misfits fans aren’t worried with marketplace overlap, they just want to make sure they’re giving their money to the Misfit they agree most with artistically (even if Danzig is found guilty of framing Jerry for everything in the past three decades there will still be a loyal army of spenders who live to dump their paychecks into his wallet because of How The Gods Kill)
Said it before, saying it again: justice should prevail in this war. May the guilty be punished and the innocent spared. Also, maybe one side or the other could think about putting Googy on a t-shirt? Need to show my drummer pride.
- General Tso’s serving large enough to stun Dikembe Mutombo
- equally large fried rice hill of the pork variety
- cup of froyo dusted w/ so much graham cracker I now have Wonka Lung
- several “gluten-free” cream sodas (like that makes a difference)
- three tiny pieces of broccoli
- two coffees
- two pieces of toast w/ Nutella just before bed
Needless to say, I do not feel like participating in a Tough Mudder today. This is where I make a defensive joke about how my shitty eating reflects the true values of America. Blah blah blah it’s my constitutional right [fart noise] Jefferson died so I could be an angry marshmallow man are you gonna finish that spiral ham?
“I know it must feel pretty crummy to be crowded you out of your own sequel. It’s really not your fault. No one could have predicted audiences wouldn’t connect with an underwear-on-the-inside Superman. At least you got this sweet chair and the t-shirt. What’s on it again? Bunch of logos from companies no one’s heard of? Ah, it’ll be a knock around the house shirt!”