I call them “weekdays.”
– watching this special you’d never know exactly how rebellious “Saturday Night Live” was at its inception or various other points in history; every clip package was a parade of smash cuts set to a steady beat, like a home run highlight reel, which robbed many classic moments of the comedic tension that made them so memorable in the first place; three and a half hours and they didn’t even show the very first “SNL” sketch in its entirety (“I would like to feed your fingertips to the wolverines”), the program’s mission statement, still one of the weirdest things that’s ever been on television
– there was so much hoo-ha about Eddie Murphy making an appearance, finally burying whatever cold hatchet he had with “SNL”/his “SNL” legacy, but he didn’t do anything, he just came out and expressed some gratitude while making very awkward clapping gestures; maybe Eddie does have a disease that prevents him from being funny these days
– Joe Piscopo seemed as stiff and unhappy as the real elderly Sinatra; I’m sure he was hoping for a tearful on camera reunion with Murphy; I’m sure he burst a blood vessel during Chris Rock’s monologue about Murphy being “SNL’s” Superman (Rock wasn’t wrong, though)
– Wayne’s World remains the most profitable “SNL” spin-off so we’re going to have to endure Wayne and Garth reunion sketches (no matter how pointless or meandering) until Mike Myers and Dana Carvey are both dead (if Carvey dies first I’d put major cash on Myers replacing him with Bill Hader); I wish they’d let the characters age, I’m far more interested to see Wayne at fifty
– Kanye seemed pretty excited to be caught in Wayne’s World
– the best part of “SNL 40″ was of course an unscripted moment: Norm Macdonald trying to swerve the Chevy Chase introduction into the nearest ditch, a fine reminder of how brutally unsentimental the show can be (times like that are when “SNL” is tops) and how you can always rely on Norm
– related to that last point: it was wild to see the varying levels of talent on display, in the sense that you have to give Fred Armisen some kind of prop or character but Norm or Bill Murray can just come out and be themselves and everyone’s delighted
– it was cool to see Jane Curtain Weekend Updating with Tina and Amy
– it was cool to see Ellen Cleghorne
– it was not cool to see famous people “covering” their favorite characters
– I don’t know how to feel about Miley Cyrus as an entertainer or a human but she clearly has talent, by which I mean she made me give a shit about a Paul Simon song; I’d buy that rendition on vinyl
– the audience kept the applause at fair levels throughout the dead person montage; doesn’t feel like anyone was slighted, and they chose really wonderful/wonderfully evocative photos of each figure
– all those fucking montages and not one devoted entirely to the rich history of musical performance on “SNL”; sorry, legendary artists who so often were the only bits of the program worth watching, this “Californians” sketch has to be eight decades long
– ego probably prevented a lot of great comedy from happening
– “SNL” has constructed a successful enough business model that it may never go off the air; I’d like it to, only to see if another comedic incubator of its caliber would ever come along
– what a shame [obscure cast member] didn’t get any shoutouts
– every year we endure the Grammys and every year a not insignificant number of people are outraged when the awards fly wildly off target, as if this ceremony has ever accurately reflected anything
– theories abound that Beck’s Album of The Year win last night was the voting body’s mea culpa for snubbing his genius work Odelay! nearly two decades ago; there should just be a category called “Oops!” wherein they grant themselves the opportunity to reverse decisions from years past
– I think we all appreciate Kanye going through the motions for us
– wouldn’t it be great if all this lead to a Beck/Beyoncé collaboration?
– Beck: Scientologist; Beyoncé: Illuminati demigod; they each have five Grammys now, so let’s end this pointless conflict and get back to uncovering the evidence that will prove Lorde is actually in her late forties
…In addition to fishing unused jelly packets out of the trash to rinse off and put back on the dining room tables (previously referenced in this post); what a feeling it is to watch an oblivious diner fiddle with a little plastic bin of grape jelly you rescued just fifteen minutes prior from a muggy grave of chewed hash browns and sausage upchuck.
– the dish washer who was obsessed with Dream Theater and tried to convert me every night
– the dish washer who was obsessed with Canibus and was constantly complaining about ringtone rappers
– the regular customer who always brought his own tiny briefcase of specialized condiments
– the other bus boy who exclusively addressed me as “James Bond Jr.”
– my employee evaluation; the only negative bit was “needs to smile more”
– the day I wore Converse to work instead of my regulation grease-proof boots to prove some kind of point (i.e. I won’t CONFORM to YOUR WORLD, oppressors); I slid around on the kitchen floor the entire night
– the Billy Drago-esque manager who raced Kawasaki motorcycles in his spare time and who could never walk out the back door without taking a deep breath, looking up at the clouds, and saying, “What a beautiful day to die!” (he was later fired for sexual harassment)
– being scheduled weekday mornings and having jack shit to bus
– being scheduled on Sundays and feeling like I was in trench warfare
– never being too mad about the servers not sharing their tips because they all had families to support and I was just some bozo in college
– the in-store satellite radio playing the craziest post-grunge (deep cuts from Green Day’s Nimrod, the 1999 Alice in Chains “reunion” song, etc)
– getting pied in the face on my last day of work by one of the servers (it was a hearty apple pie and I had pieces of fruit caught in my hair for hours)
– running into the lead manager at a nearby Waffle House several weeks after I quit; she told me I was a great employee and that I could come back any time (this was very nice to hear)
I’ve not set foot in that Perkins or any other since hanging up my bus tub.
when I was a kid
they made an oatmeal
with packets of sugary red goo
you could squeeze
on your oatmeal
a smiley face
it always looked
like blood-laden slugs
tasted like it too
happy national oatmeal month
I’ve been taken with Blank Generation by Richard Hell & the Voidoids for seventeen years, since I first heard it freshman year of college. It’s romantic and imaginative and jazzy and poetic without being dreadful or pretentious. I often struggle with the fact so many consider it an esoteric work; to me it’s just as accessible as anything by Elvis Costello or Radiohead.
Then I remember every time I’ve put on Blank Generation with the sincere hope of converting someone only to watch their face contort in confusion in response to the opening song.
“Are they saying ‘hot dogs in space?'”
No…but they may as well be.
By the way, I just finished reading Richard Hell’s autobiography, I Dreamed I Was A Very Clean Tramp. Some interesting nuggets in there. Did you know Johnny Thunders supported Jesse Jackson for president? What a campaign rally that would have been.
– answering the question: what if Creature From The Black Lagoon combined elements of Jaws, Alien, and Halloween without managing to be more entertaining than Grease 2 and also there’s a ventriloquist?
– it’s astounding how many dead dogs this movie serves up in the first 15-20
– it’s astounding how this movie portrays ventriloquism as an aphrodisiac
– Doug McClure isn’t the most swashbuckling hero but I was with it until they put him in a hooded rain slicker; suddenly he’s the sad child waiting at the bus stop, fighting back tears because Papa won’t take him to “Barney: Live”
– disturbingly realistic: the gore; disturbingly unrealistic: tie between the dj who cannot correctly pronounce “salmon” in a town whose entire economy appears salmon-based (maybe that’s performance art, who knows) and the kids who go sunbathing at a beach in Washington state mid-Autumn
– you gotta respect the fact that once a character gets a black eye they keep it for the rest of the movie (Anthony Pena takes so many shots to the face by the end he looks like a rotten plum)
– I’m surprised Ann Turkel’s infamous “I’m a professional scientist!” line has never made it to a t-shirt
– Humanoids From The Deep is a dramatic and evocative title but a more accurate one would be Rapist Cabbage People vs. The Noble Indian, Sex-Crazed Teenagers, & Other Cinematic Stereotypes
– it’s a shame this was one of Vic Morrow’s final movies; at least he commits, and I’ll be damned if his perm + creeper mustache combo ain’t happenin’