The manuscript for Brave Punk World: The International Rock Underground From Alerta Roja to Z-Off was due in early January. I completed it last week. Two months seems like quite a delay when you’re working on anything, but no one would talk about Chinese Democracy in the tones that they do if it had only been sixty days late.
Three hundred and fifty-ish pages turned in, give or take. Enough pictures to keep things interesting (I hope). Of course I feel relief getting it wrapped up, but those waves are cut with streaks of “I forgot to discuss x or touch on y, and I shoulda expanded upon z.” Similar emotions materialized once my first book, This Music Leaves Stains, was in the can. Par for the course, I guess. Interestingly enough, several aspects of Stains that I view as lacking have yet to come up in critiques. Will the same hold true for this book ass book?
Got me. All I know is I worked my crank off on BPW, it’s pretty close to what I envisioned when I pitched the thing to Rowman & Littlefield, and I can’t wait for everyone to read it when it comes out in OCTOBER OF 2017.
Below, the cover.
In case you’ve been wondering, the book is divided into seven sections by region—Asia, U.S.S.R. & Eastern Bloc, Western Europe, Africa, Central & South America, North America, and Oceania.
More info later. As always, I thank you for your readership and support.
Q: Does Your Book On The Way Punk Rock Developed Outside The U.K. & U.S. Have A Title Yet & If So What Is That Title?
A: Yes. The title is Brave Punk World: The International Rock Underground From Alerta Roja to Z-Off. I’m sure I don’t have to remind you this thing will be published by Rowman & Littlefield in October of 2017. I’m sure!
Thank you for your continued interest and support. I’m working very hard to make this volume like really, really, really good. Many more words than my first book, many more pictures, not as many stories involving pro wrestlers from the sport’s second golden age, but don’t worry—donnybrooks and rigamaroles abound. I can’t wait for you to read it.
New Zealand’s Zero Elliot, who was arrested in 1978 for cussin’ during a gig with her band Suburban Reptiles. Photo by Murray Cammick.
Just them Lodi boys makin’ some noise at Riot Fest East. Photo by Alf Berg.
Second verse, same as the first: the Original Misfits got up there in Chicago and played the hits like Famous Monsters never happened. Remember when mere mention of this band would send Glenn Danzig into convulsions? Now he’s done two reunion gigs with them, his mood at both jovial. “I bet a lot of you have kids you take trick or treating,” he opined last night. “Scream your ass off if you take your kids trick or treating!”
I wan’t there. I wasn’t at Denver Riot Fest either. The reasons are myriad. I felt skepticism that any of this would really go down, or that it might veer into disaster if it did. The venue struck me as wrong; the Misfits in their glory days were always a club band, and while I’m happy they can command headlining festival slots in 2016, an engagement at Irving Plaza would have been more spiritually authentic. And, of course, this assembly is not really the original Misfits—it is Most of The Original Misfits Featuring Dave Lombardo. Jerry and Glenn must have had a Batman v Superman moment where they both realized they dislike all the actual Misfits drummers with the same passion.
Call me fussy, call me prissy, call me a freelance hillbilly with a snoot full of honeybees. Denver and Chicago aren’t exactly around the corner. Yes, I feel some regret, but I also wouldn’t be having this discussion if the reunion had been Glenn, Jerry, Doyle, and Arthur Googy at the Whiskey a Go Go. Solace is located in the fact that 2017 is the 40th anniversary of the Misfits’ founding. I’d bet my collection of bird skeletons that something auspicious along these lines will occur to commemorate four haunted decades.
If not, there’s always the YouTube. You know, I never saw the Misfits when Danzig was in the band between 1977 and 1983. I’m keeping a streak alive.
Blackheart Acey Slade, Jerry Only, Doyle, & Glenny D. Photo by Alf Berg.
And so it came to pass; Glenn Danzig and Jerry Only met between a pair of twelve foot jack-o-lanterns to belt out an hour’s worth of Misfits songs for the ultra devoted. No fistfights or lawsuits broke out onstage. Everyone seemed to be having fun, including Glenn, who is allergic to most forms of humor. In fact, at certain intervals, it sounded like this ferocious hound of hell was workshopping his standup material—and the crowd was loving it.
Part of me wants to chastise Riot Fest organizers for not offering a high quality live stream of these Misfits, something for which I and many other fiends would have paid a nominal fee. A greater part of me understands that cacophonous cell phone videos are more in keeping with the live recording legacy of this band. Even through pigeon shit fidelity you can tell the ‘Fits performed well, holding perfect tempo and pressing their fervor into the music (Glenn especially). A few clips have moved me emotionally.
The million dollar questions now: will Chicago receive a concert of similar character or will the bloom be off the skull in a couple weeks? Will there be future gigs in other cities? Will there be an album? How will all this affect eBay sales of Graves era merchandise?
The rumors were true: former Slayer drummer Dave Lombardo is the fourth participant in the Misfits reunion scheduled for Riot Fest 2016 (the first show of which is this weekend), overcoming the major obstacle of having never been a member of the band. Namaste, Dave.
Look, I love Dave Lombardo’s work. He’s a monster, an icon, an innovator. I listen to those Slayer records all the time. I’m intrigued to hear what he’ll do with material from Static Age and Earth A.D. It’s just that the original Original Misfits had five or six different drummers, and they’re all still alive. Glenn and Jerry couldn’t bite the kielbasa and get Googy for these two gigs? Make it a true reunion? There’s no way his fee is higher than Lombardo’s.
I get it. The Original Misfits™ have to consider the fact that this reunion could grow legs. Dave Lombardo has more experience than every Misfits drummer combined (some of whom haven’t even looked at a set of drums since “The Jeffersons” was airing). He’s prepared at any time to do other festivals, or a tour. More importantly, he has no pre-existing issues with Glenn or Jerry. Dave’s not gonna make trouble over some shit that happened in 1981.
Also, remember: this episode is mostly a legal resolution, an agreement between Glenn and Jerry so they stop dragging each other to court over pictures of skulls they stole from somebody else in the first place. So how heartbroken can anyone be? Shouldn’t we just be glad these guys have finally stopped suing each other?
Hire Charo as the drummer for all I care—I’m tired of reading legal documents. They started stacking higher than your records years ago.
Where ever you have to go next for this book, I’d like to pay. Hurry up and take the money before I die.”
So offered a very kind and arrestingly macabre family member a month ago, one who wished not to trifle with any crowdfunding business. What am I, too good for my goddamn family? I accepted and booked passage to Japan. An eye-opening and fruitful excursion followed, one that enriched not only my forthcoming book but also my friggin’ soul. Please enjoy some captioned snapshots from my journey below.
Thirteen million people live in Tokyo, so it’s a little congested (as you may gather from this morsel of skyline). Many of the city’s streets are unnamed as well, but if you’re good with landmarks you’ll have no problem getting around. And the subway isn’t that difficult to figure out. Even when it is, the staff down there are more than happy to assist the hopelessly confused. The first time I bought an incorrect ticket they knew before I did!
The four hundred fifty yen breakfast deal at Matsuya, one of Tokyo’s most beloved fast food establishments. Perfect for the language impaired tourist—punch your order in on the computer, take the ticket it prints out, sit down, give the server your ticket, BOOM, food. And tasty as all get out.
The Shibuya district at night. I don’t know if you can tell from this image but many of the crosswalks in Tokyo are at odd angles, curving and stretching diagonally as if to anticipate jaywalking patterns. Pretty clever.
Poorly translated bootleg apparel is a cottage industry in Japan and they’re laughing all the way to the bank. Not even the Bortles are safe.
Physical media isn’t dead in every corner of the globe. To wit: the eight story Tower Records in Shibuya, an unreal monument to music and consumerism. Yes, they have the new BabyMetal. They have an entire floor for J-Pop (and one for K-Pop, and one with a book store / restaurant).
A tribute to fallen Megadeth drummer Nick Menza on the Western Rock floor of the eight story Tower Records. I tried to have a moment of quiet reflection but there were approximately five stereos within two feet of this display and they were all playing different things. There’s some noise pollution in Tokyo.
A fresh burger from Freshness Burger. That’s egg and chili on that bad boy (at least that’s what I think it was). No fries, or “potato” as they like to call it. Gotta cut back somewhere. Freshness Burger is reasonably priced but many an item or service in Tokyo is not. New Yorkers will feel at home.
Here’s what happens when you attempt to photograph an exclusive event occurring in / around the Harajuku area’s Tamagotchi store—an employee of the store will give you the big “no” while a cop tries to decide whether or not to yell at you. They were firm but polite. Those folks crowded around the window, they showed up so early—don’t cheapen their experience!
This is the interior of a Disk Union, a record store chain that has twenty or so locations around Tokyo. Every one I visited was crammed with stock just like this. Found lotsa rare greatness here but the favorite record shop I visited is Recofan (which is just one outlet in a mall) only because it has the largest, most varied (and cheapest) used section.
Some concepts are universal, like fishing programs on Saturday morning television. This woman was very excited to have caught her little buddy here. Later that day I watched a dubbed version of The Rocketeer. That film may have been a bigger hit Stateside had they sold it as a Japanese property.
I cannot lie: I ate at KFC in Japan. The chicken is prepared for an Eastern palette. It’s lighter, thinner, less “down home” (in the parlance of U.S. comfort food). Still plenty of grease, though. Yes, this particular location has an actual bar. You need a craft beer with your biscuits and gravy?
I don’t know what this is all about. I guess you can live out all your Nintendo fantasies in Tokyo, even as Captain America and Cookie Monster.
All the excitement of Doritos without the excitement! This is good place to mention if you’re out in Tokyo and you need help or directions, the average Japanese citizen would love to assist you but conversational English skills are rare. Learn to say “I’m sorry, I don’t speak Japanese, do you understand English?” in Japanese and conclude interactions with a bow (luckily some words, like “coffee” and “Barack Obama,” transcend cultural barriers).
The kitchen / office of my sublet in the Shinjuku neighborhood. Figuring out the microwave wasn’t easy but I eventually sorted out how to properly heat a dumpling soup from 7-Eleven (surprisingly high quality). Did I mention the jet lag from the U.S. to Tokyo? It’s Herculean. If there’s a secret to conquering it I still don’t know. Spent many hours standing around this room in a daze.
Q: How Goes Work On Your Book About Punk Rock’s Development In Regions Outside The United Kingdom & United States?
A: Work is constant. I wake up thinking about the book. I hit the bed thinking about it. The time between is a big loop of researching, reading, and writing (don’t worry, I give myself time off to eat and monitor Misfits reunion rumors). The whole thing can feel overwhelming but in a very positive way. It is exactly what I want to be doing right now. Also, Clowny Clown has been to this rodeo before. The abject fear that pressed down on me as I worked on This Music Leaves Stains a few years ago is gone. I know what to expect, not just from the process but from myself.
In case you’ve forgotten the pertinent details of this tome, the Rowman & Littlefield Publishing Group will be releasing my nearly 400 page exploration of punk rock’s development on the international level in October 2017. Learn all about the shape of ferocious underground rock music as it grew in places like Russia, Japan, China, Africa, Belgium, Brazil, Nepal, Poland, and even the Canary Islands. Like Stains, the first edition will be hardcover, and if that son of a carpenter pops off sales-wise they’ll do softcover. No title yet but I assure you it won’t be Mr. Jim’s Mondo Punko.
Dangerous Rhythm, one of Mexico’s first punk outfits, circa 1979. That same year they released their first single, “No No No.” Clack here to hear it.
If you’d like to help out with some of the costs that accompany researching a project of this nature (and believe me, there are costs), feel free to visit the GoFundMe page for this friggin’ thing. Every cent is appreciated.
What else can I say? Thanks to youse all for the support and interest, it’s a hell of a thing and I’m happy to have it. Hope you enjoy the book when it’s done. Can’t wait to see it in your grubby little hands.