How does one define Danzig? Maybe something like this: the type of person who would conceive his own version of Elvis Presley’s ’68 comeback special, borrow hyper-specific imagery from Elvis Presley’s ’68 comeback special to drive home the point that this in fact Glenn Danzig’s 2015 comeback special, and then highlight himself in the trailer for said comeback special making an aloof remark that “it’ll probably almost be like that Elvis thing.”
Yeah, it’ll “almost be” like “that Elvis thing,” “that Elvis thing” you’re copying to a t. “Almost.” Hoo boy, you nearly had us fooled for a second there, Glenn. I was worried about you. Nope, you’re the same ol’ crazy He-Devil!
They spent three years in post-production on “Legacy,” which I think gives credence to the rumors that most of the taping was a train wreck. At any rate, I’m interested to see it. Will Glenn Danzig actually “come back” or will this be another of his many Waterloos? Only Satan knows for sure.
Am I right or am I right?
All the best this blog had to offer from the Year of the Horse. Shalom.
Artisanal Life Hack (Sorry Not Sorry): 2013 In Review
Unsolicited Notes/Thoughts On We’re A Happy Family
JG2’s Top Ten Albums & Singles Of 2013
Unsolicited Thoughts On The Price Of Gold
Q: Have You Met Carrot Top?
Derisive Names You Can Use For The Super Bowl
Area Man Acknowledges Ninja Turtle Reboot
Greg Rivera: The JG2Land Interview
“You Traded Peña?”
Unsolicited Thoughts/Notes On Dookie 20 Years Later
In Praise Of Harold Ramis
Unsolicited Thoughts/Notes On Going Berserk
An Annotated History Of Never Realized Book Projects
2001: A Ranch Odyssey
Commence au Festival
“You Really Embarrassed Me Tonight At Red Lobster.”
On Erdélyi Tamás
Mashed Potatoes Can Be Your Friends
Fifteen Hall Of Fame Drummers From The Past Score & Five
Unsolicited Thoughts/Notes On Grease 2
Boo, I Tellsya: The Absolute Toppest Horror Movies
Monte Melnick: The JG2Land Interview
Unsolicited Musings On GTA V
Unsolicited Blah Blah Blah On “The Larry Sanders Show”
Ancient Central Florida Secret: The Splendid China Winn-Dixie
Unsolicited Free Floating Vapors On Feigbusters
Unsolicited Musings On Humanoids From The Deep
Richie Ramone: in many ways, the black sheep of the Ramones family, the guy who jetted with no warning because he felt he wasn’t getting the proper respect from his band mates. There are two sides to every story, sure, and maybe I’m just some crazy loser, but the more I look at the covers of Richie era Ramones albums the more I understand his 23 skidoo. Each one has a clear symbol Rich was never accepted as a true Bruddah.
On Too Tough To Die, Richie is the only Ramone whose knee is bent, suggesting insecurity next to the defiant stances of Joey, Dee Dee, and Johnny. They could have used another picture where they all look like confident bad-asses, but they didn’t.
“Here, Richie, you hold the chimp, we don’t handle monkey business. That’s your department.” It should be noted Richie is a big animal advocate and later said he was happy to play with the chimp, but still…seems like the critter is only there to demean the newest hire.
Richie’s pink Cons are on fucking point, but the rest of the Ramones are wearing black shoes for the Halfway to Sanity cover. Joey’s purple socks might symbolize solidarity, they might be coincidental. Hey ho I don’t know.
I will always view Richie Ramone as a savior, a guy who stepped in when the Ramones were shaky and helped steer them through their silver age. He tore ass on those drums and had no problem writing songs that fit the band’s aesthetic. Too bad they had that disconnect.
See whatever you want to see on these covers. It’s easy for me to zero in on this kind of crap because I’m the type of person who would rub a magic lamp and waste one wish on a version of Brain Drain with Richie on drums.
The plan for my next book has always been a history of the Ghostbusters film franchise and its ancillary properties. Sadly, I must now abandon that idea. This week it was revealed (to me) that Sony, the company owning the rights to Ghostbusters, is publishing a historical volume of extremely similar parameters in September. The party delivering this news was the publishing house most interested in working with me on what I had tentatively titled A Convenient Parallel Dimension: Ghostbusters, 1974-2016. They’re open to hearing other ideas I’m sitting on; time to tear through old notebooks and ferret out potential ideas.
No need to invoke the wrath of the slor: we’re getting an officially licensed Ghostbusters history. I’m sure it’ll be wonderful. I’m actually surprised and somewhat ashamed the Sony tome slipped past my radar for so long. Turns out that Christmas leak didn’t give us everything. Also, I can admit I hadn’t exactly done mountains of work on my own GB project. Subconsciously I must have sensed this. I could feel the Twinkie expanding.
So, do you think the world needs a book about InnerSpace?
– this post is largely a reaction to episode three of the “Henry & Heidi” podcast wherein the titular Henry (Rollins) talks through the history of Rollins Band, a welcome discussion considering how often this group is neglected
– Rollins Band is a great example of how working hard and sticking to your guns always pays off in the long run, by which I mean you can play dissonant funk metal in your boxers and if you’re honest and don’t cop out eventually they’ll put you on MTV and the Grammys and Dennis Miller’s talk show
– during this oral recap Henry does not even give passing mention to the handful of years at the tail end of Rollins Band where Mother Superior was his backing group; this must mean the two albums from that period, Get Some Go Again and Nice, are to be considered non-canon
– re-evaluating the entire RB discography, End Of Silence has my favorite textures and moods, and overall it’s one of the most solid rock albums of its era, but when the urge to hear this unit strikes me the gut reaction is to reach for Drive By Shooting b/c it’s looser, darker, more “out there” (in filmspeak: Scorsese is the master but the slapdash of Tarantino is a bit more fun)
– interesting to learn about the heavy stuff going on circa Come In And Burn; you’d never know it from their 1997 “SNL” appearance, which belongs in the pile of that show’s legendary musical performances; first time I saw them rip through “Starve” in 8H I thought they were gonna melt the studio’s walls
– surprise: Rollins Band didn’t even want to record “Liar,” their biggest hit; it was just some goof song they did at practices until some industry person heard it and said, “That’s your next single!”
– when I saw Rollins Band in ’02 they were in a period where they weren’t playing “Liar,” which bummed me out, but they did encore with a handful of Ramones songs; if you think Rollins is intense normally you should see the guy doing “Blitzkrieg Bop” (Henry’s preamble to “BB”: “If I’m ever elected president, this will be the new national anthem”)
– trigger warning: if you listen to the podcast ep linked above, before you hear anything about Rollins Band you’re gonna hafta endure a somewhat gross story about Rollins having a hernia and not realizing it